In preparation · 142 pages in draft

Shifting Landscapes

Companion document to the interactive documentary

The analytical and historical grounding for the Shifting Landscapes documentary: a decolonial inquiry into land, power, policy, culture, and resistance in the creation of Black urban ecologies.

Organized as a Q&A in two parts — Part One: Excavations, six deep historical analyses; Part Two: Inside the Work, moving through the documentary section by section. It can be read straight through, used as a reference, or consulted alongside specific paths through the website.

It is not a substitute for the documentary. It is a preparation for it and a deepening of it: the immersive experience of moving through the nonlinear work is what the website provides, and this supplies the grounding that makes the full weight of the argument available.

What is in it

  1. Part One: Excavations — colonial rule and Indigenous dispossession; Haiti and the structural consequences that shaped America; plantation ecology into Black urban ecology
  2. Part Two: Inside the Work — nine parts, from Foundations of a Black Urban Ecology through The Future of Black Urban Ecology
  3. Intellectual Foundations — the debts the project carries, named explicitly

Source Built from Named intellectual debts across spatial and ecological foundations, epistemology, urban politics, Great Migration and dispossession history, the Black Atlantic, and environmental, carceral and technological dimensions. Additional citations from Deconstructing Design’s own body of work and from community-sourced research are to be incorporated in subsequent editions.

Participate

Help make this one true

The documentary this accompanies is built from land, memory, and testimony. If its ground is your ground — if you have watched a landscape shift under your feet — what you know sharpens what we are writing. What holds is incorporated, with credit if you name yourself.

What are you adding?

A memory can live in a place — a yard, a market, a kitchen — or in the body: a smell, a taste, the weight of a full basket. Place is memory; so is smell. Tell it the way you carry it.

What actually happened — on your block, in your family, at your job. A lived counter-example outweighs a tidy theory, and this work would rather be corrected than polished.

Point to what is wrong and say what is right, as you know it. Lived knowledge counts as evidence here — you do not need a citation to be taken seriously.

A book, a paper, an archive, an elder, a grower. People are sources. Tell us where to look and what it will show us.

If it does not fit any box here, it may be the thing we have not thought to ask for. Say it plainly.

Reviewed before anything is published, per the data privacy policy. Your name and email are asked for because authorship matters here: a record that cannot be verified cannot be trusted, and a contribution that holds is credited to you by name in future editions. Your email is never published.

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